| Code | EUCLID code | Course Name | Credits | 
| EL0192 | (ENLI11003) | Writing the Nation | 20 | 
| EL0196 | (ENLI11004) | The Literature Industry: Issues in the History of the Book | 20 | 
| P00352 | (ENLI11007) | Postcolonial Writing | 20 | 
| P00421 | (ENLI11010) | Deconstruction and History | 20 | 
| P00426 | (ENLI11011) | Gender and History in Postcolonial Space: Aspects of Canadian-English Textuality | 20 | 
| P00430 | (ENLI11012) | Literature of the American South | 20 | 
| P00432 | (ENLI11013) | Postmodernism and Feminism | 20 | 
| P00433 | (ENLI11014) | Cinematic Shakespeare | 20 | 
| P00435 | (ENLI11015) | The Society of the Spectacle | 20 | 
| P00436 | (ENLI11016) | Modern Scottish Fiction | 20 | 
| P00440 | (ENLI11019) | Postmodernism: Who Needs It? | 20 | 
| P00444 | (ENLI11020) | Victorian Women's Writing | 20 | 
| P00445 | (ENLI11021) | American Irony | 20 | 
| P00446 | (ENLI11022) | Contemporary American Fiction | 20 | 
| P00447 | (ENLI11023) | Black Atlantic | 20 | 
| P00952 | (ENLI11028) | Postmodern Debates | 20 | 
| P00954 | (ENLI11030) | Decolonization and the Novel | 20 | 
| P01072 | (ENLI11031) | From Margin to Centre | 20 | 
| P01091 | (ENLI11033) | The Short Story in America | 20 | 
| P01092 | (ENLI11034) | The Novel in Scotland and Ireland 1800-1840 | 20 | 
| P01132 | (ENLI11036) | Statements and Experiments: Pushing the Limits of Novel-ty | 20 | 
| P01497 | (ENLI11037) | The Literary Absolute | 20 | 
| P01536 | (ENLI11038) | Poor Things: Capitalism, Reification and 20th Century Literature | 20 | 
| P01648 | (ENLI11039) | Fictions of Other Britains: Race, Diaspora, Culture | 20 | 
| P01649 | (ENLI11040) | Nation and Empire in Early Modern Writing | 20 | 
| P01650 | (ENLI11041) | Shakespeare's Sister: Archival Research and the Politics of the Canon. | 20 | 
| P01684 | (ENLI11043) | Poetry, Politics and Place 2 | 20 | 
| P01906 | (ENLI11050) | Writing Enlightenment 1688 - 1789 | 20 | 
| P01907 | (ENLI11051) | Madness in Twentieth Century Literature | 20 | 
| P01986 | (ENLI11052) | Poet-Critics: the Style of Modern Poetry | 20 | 
| P01987 | (ENLI11053) | How Poets Work: Form, Metre, and Meaning | 20 | 
| P01988 | (ENLI11054) | Ower True Tales: Scott and Historicism | 20 | 
| P02342 | (ENLI11055) | Seventeenth-Century Poetic Genres | 20 | 
| P02528 | (ENLI11056) | Modernism and the Cinematic City | 20 | 
| P02620 | (ENLI11061) | Contemporary Scottish Fiction | 20 | 
| P02688 | (ENLI11062) | Postcolonial Pacific Writing | 20 | 
| P02688 | (ENLI11062) | Postcolonial Pacific Writing | 20 | 
| P02689 | (ENLI11063) | Henry James: Life, Literature and Legacy | 20 | 
| P02691 | (ENLI11065) | Cities of Words: 20th Century Urban America | 20 | 
| P02692 | (ENLI11066) | Writing the Body Politic | 20 | 
| P02704 | (ENLI11067) | Joyce and Style | 20 | 
| P02705 | (ENLI11068) | Madness, Sexuality and Subversion in Victorian Literature | 20 | 
| P02706 | (ENLI11069) | 'We are [not] Amused': Victorian Comic Literature | 20 | 
| P02707 | (ENLI11070) | Stevenson and the End of the Nineteenth Century | 20 | 
| P02708 | (ENLI11071) | The Fiction of Doubt | 20 | 
| P02709 | (ENLI11072) | Charles Dickens | 20 | 
| P02710 | (ENLI11073) | Utopia II: Suffrage to Cyberpunk | 20 | 
| P02711 | (ENLI11074) | Mystery and Horror | 20 | 
| P02712 | (ENLI11075) | Falling in Love in the Middle Ages | 20 | 
| P02713 | (ENLI11076) | Victorian Conventions | 20 | 
| P02714 | (ENLI11077) | The Long Summer: Edwardian Texts and Contexts, 1900-1910 | 20 | 
| P02715 | (ENLI11078) | Writers and the Cinema | 20 | 
| P02716 | (ENLI11079) | Fairy Tales | 20 | 
| P02717 | (ENLI11080) | Indian Literature in English | 20 | 
| P02719 | (ENLI11082) | History, Time and Memory in the Contemporary Novel | 20 | 
| P02720 | (ENLI11083) | Gothic | 20 | 
| P02721 | (ENLI11084) | Beyond Good and Evil | 20 | 
| P02722 | (ENLI11085) | The Subject of Poetry 2: Wordsworth to Hardy | 20 | 
| P02723 | (ENLI11086) | Renaissance Scepticism | 20 | 
| P02724 | (ENLI11087) | Shakespearean Sexualities | 20 | 
| P02725 | (ENLI11088) | Songs of Experience | 20 | 
| P03048 | (ENLI11093) | Book History, Media Theory, and Communication | 20 | 
| P03047 | (ENLI11094) | Cultures of the Book | 20 | 
| P03345 | (ENLI11101) | Critical Theory: Issues and Debates | 20 | 
| P03346 | (ENLI11102) | Modernism before the War | 20 | 
| P03363 | (ENLI11103) | Church, Court and City: Writing London and Edinburgh 1480-1560 | 20 | 
| P02690 | (ENLI11104) | American Innocence | 20 | 
| P02530 | (ENLI11106) | US Literature: Culture and Value: Revolution to Empire (Part 1) | 20 | 
| P02531 | (ENLI11107) | US Literature: Culture and Value: Revolution to Empire (Part 2) | 20 | 
| P03219 | (ENLI11120) | Lyric and Society | 20 | 
| P03496 | (ENLI11121) | Twentieth Century Feminist Fictions | 20 | 
| P03498 | (ENLI11122) | Medieval Romance | 20 | 
| P03497 | (ENLI11123) | Field Full of Folk: Medieval Literature and the Imagination of the World | 20 | 
| P03486 | (ENLI11124) | The Medieval Bible: An Evidence-Based Approach | 20 | 
| P03196 | (ENLI11126) | The Reign of Terror: Fear and Loathing in Romantic Literature | 20 | 
| P02718 | (ENLI11081) | Romanticism and Consciousness | 20 |