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DEGREE REGULATIONS & PROGRAMMES OF STUDY 2011/2012
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DRPS : Course Catalogue : Edinburgh College of Art : Music

Undergraduate Course: Algorithmic Composition and Signal Processing (MUSI10062)

Course Outline
SchoolEdinburgh College of Art CollegeCollege of Humanities and Social Science
Course typeStandard AvailabilityNot available to visiting students
Credit level (Normal year taken)SCQF Level 10 (Year 3 Undergraduate) Credits20
Home subject areaMusic Other subject areaNone
Course website http://www.michael-edwards.org/class Taught in Gaelic?No
Course descriptionFlexibility and the ability to combine various approaches, integrating the results of one system into another environment is the key to creative and constantly developing work in this field. Experience in real-time audio programming in Max/MSP is thus compared and contrasted with non-real time systems, in particular concentrating on the benefits of such and where and when to apply these non real-time techniques.

As well as gaining experience programming in these environments (which may include Common Lisp Music, Common Music, Common Music Notation, Supercollider, CMusic, CSound, CMix etc.) students will be exposed to general-purpose, text-based programming paradigms and their use in generating compositional structure. This experience of algorithmic composition will then be combined with synthesis/signal processing or in the generation of musical scores. The whole is aimed at enriching the composer&ęs compositional palette, enabling them to assess different approaches and thus choose appropriate tools for future projects.
Seminars will develop the contextual and aesthetic background to computer music and take the form of discussion of set reading and listening.
Entry Requirements (not applicable to Visiting Students)
Pre-requisites Students MUST have passed: Music 2D: Theory and Practice of Music Technology (MUSI08053)
Co-requisites
Prohibited Combinations Other requirements None
Additional Costs Pair of good quality headphones would be advantageous.
Course Delivery Information
Delivery period: 2011/12 Semester 2, Not available to visiting students (SS1) WebCT enabled:  Yes Quota:  None
Location Activity Description Weeks Monday Tuesday Wednesday Thursday Friday
CentralLecture1,2,3,4,6,8,10 16:10 - 18:00
CentralSeminar5,7,9 16:10 - 18:00
First Class Week 1, Tuesday, 16:10 - 18:00, Zone: Central. Sound Lab, Alison House
Additional information 2 hour(s) per week for 5 week(s). Weekly lectures and tutorials.
No Exam Information
Summary of Intended Learning Outcomes
* An understanding and appreciation of the advantages of non real-time computer music systems and when to use them instead of real-time environments
* An ability to contrast and compare computer music-making environments
* A practical understanding of computer programming paradigms and their relation to and potential generation of compositional structure
* Insight into the history, theory, repertoire, and aesthetics of computer music.
Assessment Information
Two projects will be submitted, worth 35% and 50% respectively. Collaboration is not permitted on either project. 15% is allotted to attendance and participation in classes.
Project 1 (35%): A synthesis and/or signal processing assignment will be completed in a non-real time music programming environment. The result will be the generation of a short piece in the form of a sound file. Due Monday 21st February 2011.

Project 2 (50%): An algorithmic composition project of the student's own choosing should be realised using any environment or combination thereof presented thus far. The project should be distinct from and clearly more ambitious and substantial than Project 1. The result may be an installation, score, sound file, CD or interactive computer environment. The project must be agreed in advance with the course organiser.

Both projects should be accompanied by a short (c. 1000 word) report detailing the project goals; the methods used to realise these goals; any problems or interesting points encountered along the way (with their solutions/incorporation); an appraisal/critique of the project; and suggestions as to how, with hindsight, the project may be been improved and how it could be developed in the future. The report should be written in formal academic language, using clearly defined sections; it should correctly reference articles and musical works relevant to the subject matter and include a full bibliography. A CDROM containing the patches/programmes/sounds used, as well as a recording of the project, should also be submitted in both cases.
Special Arrangements
None
Additional Information
Academic description Not entered
Syllabus Not entered
Transferable skills Not entered
Reading list Not entered
Study Abroad Not entered
Study Pattern Not entered
KeywordsAlgorithmic Composition; Digital Signal Processing; Computer Music
Contacts
Course organiserDr Michael Edwards
Tel: (0131 6)50 2431
Email: Michael.Edwards@ed.ac.uk
Course secretaryMr Brad Herbert
Tel: (0131 6)50 2422
Email: brad.herbert@ed.ac.uk
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