Postgraduate Course: Sound and Fixed Media (ARCH11011)
|School||Edinburgh College of Art
||College||College of Humanities and Social Science
||Availability||Available to all students
|Credit level (Normal year taken)||SCQF Level 11 (Postgraduate)
|Home subject area||Architecture and Landscape Architecture
||Other subject area||None
||Taught in Gaelic?||No
|Course description||This course introduces concepts and techniques relevant to analysis and design of soundtracks in fixed media productions. The focus is primarily on film and animation but also includes discussion of radio plays, documentary, music video and advertisements. Students are required to analyse examples of film and animation and to develop ways of interpreting and ┐reading┐ soundtracks. These studies subsequently inform their own practical design work in this area.
Entry Requirements (not applicable to Visiting Students)
||Other requirements|| None
|Additional Costs|| None
Information for Visiting Students
|Displayed in Visiting Students Prospectus?||Yes
Course Delivery Information
|Delivery period: 2012/13 Semester 2, Available to all students (SV1)
||Learn enabled: Yes
|Central||Laboratory||1-11|| 15:00 - 15:50|
|Central||Lecture||1-11|| 14:00 - 14:50|
||First class information not currently available|
||Thursday afternoon 2pm-4pm (occasional tutorials, 11am Wednesday mornings, to be advised).
Most lectures and tutorials will take place in the Graduate School Sound Lab, School of Arts Culture and Environment, Alison House, 12 Nicolson Square, Edinburgh, EH8 9DF.
Students advance through a series of lectures, demonstrations, practical project work, exercises and critique in a group context. Full attendance and punctual arrival is expected of all students whether auditing the course or taking it for credit.
|No Exam Information
Summary of Intended Learning Outcomes
| * ability to design sound for visual and fixed formats
* a well developed understanding the role of sound in synchronised media (film)
* a well developed understanding of technologies used in sound design for fixed media
* ability to articulate and discuss the functions of multiple audio components in media (e.g. music, sound effects, soundscape┐)
* ability to prepare sound for visual media
* to develop an appreciation for the value of analysis of the work of others for their own artistic and creative development
|Project 1 ┐ Film sound analysis, 2000 word essay with analysis graphs (40%)|
Project 2 ┐ Sound Design for moving image part 2 (60%)
||Lecture topics - subject to change each year
1. Introduction to film sound analysis
2. Music and moving image
3. The Sonic Image
4. Constructing Reality ┐ Sound Session with Documentary Makers
5. Seminar 1 ┐ Film Sound theories and approaches to analysis
6. Introduction to Surround Sound ┐ recording and playback
7. Introduction to Surround Sound ┐ Mixing
8. Seminar 2 ┐ composing for screen
9. Documentary Sound Track, special meeting
10. Music workshop / individual project development
11. Sound workshop / individual project development
||Seminar texts include
Chion, M. (1999). The Voice in Cinema. New York: Columbia University Press.
Chion, M. (1994). Audio-Vision: Sound on Screen. New York: Columbia University Press.
Kerins, M. (2010). Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Indiana University Press.
Altman, R. (1992). Sound theory, sound practice. Routledge.
|Keywords||Film Sound Design, digital video, Foley Editing, Sound Design, ADR, web audio, internet audio, sound
|Course organiser||Mr Martin Parker
Tel: (0131 6)50 2333
|Course secretary||Ms Shanika Gunasekera
Tel: (0131 6)51 5740
© Copyright 2012 The University of Edinburgh - 14 January 2013 3:24 am