Undergraduate Course: Jewellery and Silversmithing: Introduction 1 (LLLA07072)
Course Outline
| School | Edinburgh College of Art |
College | College of Humanities and Social Science |
| Course type | Standard |
Availability | Not available to visiting students |
| Credit level (Normal year taken) | SCQF Level 7 (Year 1 Undergraduate) |
Credits | 10 |
| Home subject area | Lifelong Learning (ECA) |
Other subject area | None |
| Course website |
None |
Taught in Gaelic? | No |
| Course description | THIS IS A FOR-CREDIT COURSE OFFERED BY THE OFFICE OF LIFELONG LEARNING (OLL); ONLY STUDENTS REGISTERED WITH OLL SHOULD BE ENROLLED.
Working with precious and base metals, this course will introduce students to skills in jewellery and silversmithing. The course will incorporate the process of research and design, such as the relationship between a two dimensional design on paper and how it may be realised and developed into a three-dimensional object. Initial projects will include drawing down wire into a range of shapes to create rings leading to developing your own personal project. |
Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
|
Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
| Additional Costs | None |
Course Delivery Information
|
| Delivery period: 2013/14 Lifelong Learning - Session 1, Not available to visiting students (SS1)
|
Learn enabled: No |
Quota: 10 |
|
Web Timetable |
Web Timetable |
| Course Start Date |
23/09/2013 |
| Breakdown of Learning and Teaching activities (Further Info) |
Total Hours:
100
(
Supervised Practical/Workshop/Studio Hours 27,
Programme Level Learning and Teaching Hours 2,
Directed Learning and Independent Learning Hours
71 )
|
| Additional Notes |
|
| Breakdown of Assessment Methods (Further Info) |
Written Exam
0 %,
Coursework
100 %,
Practical Exam
0 %
|
| No Exam Information |
Summary of Intended Learning Outcomes
By the end of the course, through attending classes and engaging in directed and independent study, students should be able to:
RESEARCH
- collect and research visual information to develop design ideas which can be translated into jewellery using precious metals
PRACTICE
- use a range of technical processes including drawing down wire, saw piercing, soldering, filing, roll printing and oxidisation to manipulate precious metals into jewellery items
PRESENT
-use drawing and model making as a means of developing ideas to be realised as 3D wearable objects
|
Assessment Information
This course will be assessed by the submission of a portfolio of visual design works within the discipline studied. This will include a selection of resolved design works, preparatory studies, visual research and evidence of a contextual awareness through a completed sketchbook and/or visual journal. The work must be presented in a clear and professional manner appropriate to the discipline. The submission should include work undertaken within the class as well as directed and independent study out with the class. Typically, this will comprise:
- Class Contact hours: 27.5 (work undertaken during the class)
- Directed hours: 27.5 (work the tutor has set students to each week in their own time)
- Independent Study Hours: 45 (work students set themselves to do, relevant to the discipline studied)
The combined submission will be assessed against the three learning outcomes for this course. These are equally weighted and each will be given a percentage grade. To pass, students must achieve a minimum of 30% in each learning |
Special Arrangements
| None |
Additional Information
| Academic description |
Not entered |
| Syllabus |
Not entered |
| Transferable skills |
ability to make effective use of jewellery making techniques
designing 3d objects
creating a visual journal or sketchbook
transforming and combining materials
ability to undertake research and reflective practice and apply these in the context of jewellery within visual culture
|
| Reading list |
Recommended
McCreight, T.,1982, The Complete Metalsmith, Worcester MA: Davis Publications
Codina, C., 2000, Handbook of Jewellery Techniques, London: A&C Black.
De Bono, E., 2007, How to have Creative Ideas: 62 Exercises to Develop the Mind, London: Vermillion
Astfalck, J., 2005, New Directions in Jewellery, London: Black Dog Publishing Ltd.
Clarke, B., 2006, New Directions in Jewellery II, London: Black Dog Publishing Ltd.
Ebendorf, R., 2004, 1000 Rings ¿ Inspiring adornments for the hand, New York: Lark Books.
Gilhooley, D., 1997, Unclasped, London: Black Dog Publishing Ltd.
Rowley, S., ed., 1997, Craft & Contemporary Theory, London: Allen & Unwin
Greenhalgh, P. ed., 2002, The Persistence of Craft, London: A & C Black
Adamson, G., 2007, Thinking Through Craft, Oxford: BERG
Dormer, P. & Turner, R., 1994, The New Jewellery: Trends + Traditions Revised Edition, London: Thames and Hudson.
Dormer, P., ed., 1997, The Culture of Craft, Manchester: Manchester University Press.
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| Study Abroad |
Not entered |
| Study Pattern |
Not entered |
| Keywords | Not entered |
Contacts
| Course organiser | Mr Robbie Bushe
Tel:
Email: r.bushe@ed.ac.uk |
Course secretary | Ms Sherrey Landles
Tel: (0131 6)50 4400
Email: s.landles@ed.ac.uk |
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© Copyright 2013 The University of Edinburgh - 13 January 2014 4:37 am
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