Postgraduate Course: Theories of Intermediality 2 (CLLC11193)
Course Outline
| School | School of Literatures, Languages and Cultures |
College | College of Arts, Humanities and Social Sciences |
| Credit level (Normal year taken) | SCQF Level 11 (Postgraduate) |
Availability | Not available to visiting students |
| SCQF Credits | 20 |
ECTS Credits | 10 |
| Summary | After having explored the historical and theoretical background of Intermediality as a subject and a practice during the first semester, this second semester course will focus on the interaction between art forms and media such as literature, theatre, music and cinema. From an interdisciplinary perspective, special attention will be paid on the one hand to the relation between image and text, and on the other between words, sounds and (still and moving) images. |
| Course description |
Over the course of the semester, students will explore a variety of intermedial configurations and critical approaches. During each seminar, the discussion will often be based on one or two reasonably short theoretical texts on the topic in question, followed by an analysis of specific intermedial combinations in the light of the issues discussed. All materials taught on this course will be available in English/translation.
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Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
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Co-requisites | |
| Prohibited Combinations | |
Other requirements | None |
Course Delivery Information
| Not being delivered |
Learning Outcomes
On completion of this course, the student will be able to:
- Apply knowledge of a number of critical theories and different approaches to the study of intermediality, as a subject and as a practice.
- Analyse a range of art works and forms from an intermedial perspective, and to critically reflect on specific interactions between media such as literature, music, painting, photography and film.
- Assess a range of applications of theories and approaches and their results as well as their usefulness for the student's own research interests.
- Work autonomously both as part of a group and on their own.
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Reading List
Essential
BAETENS, Jan, 'Graphic Novels: Literature without Texts?', English Language Notes, vol. 46, n°2 (2008), pp. 77-88
DAYAN, Peter, Art as Music, Music as Poetry, Poetry as Art (Ashgate, 2011)
FOIS, Eleonora, 'Theatrical Translation or Theatrical Adaptation? Staging Noises Off in Italy', Journal of Adaptation in Film & Performance, vol. 11, n°3
(2018), pp. 241-57
HELLION, Martha, 'Artists' Books from Latin America', PrintedMatter.org (2006), «https://www.printedmatter.org/catalog/tables/26»
PALTIN, Judith, 'Music, Intermediality, and Shock in Ulysses', James Joyce Quarterly, vol. 53, n°3 (2016), pp. 251-68
PRICE, Rachel, 'Books to Be Looked At', Revista de Estudios Hispánicos, vol. 51, n°2 (2017)
TANDERUP LINKIS, Sara, 'Intermedial Strategies and Memory in Contemporary Novels', CLCWeb: Comparative Literature and Culture, vol. 16, n°5 (2014)
Recommended
BENSON, Stephen, Literary Music: Writing Music in Contemporary Fiction (Bloomsbury, 2004)
BRUHN, Jørgen, The Intermediality of Narrative Literature: Medialities Matter (Palgrave Macmillan, 2016)
CHION, Michel, Film: A Sound Art (Columbia University Press, 2009)
COOKE, Mervyn, A History of Film Music (Cambridge University Press, 2008)
DRUCKER, Johanna, Figuring the Word: Essays on Books, Writing, and Visual Poetics (Granary Books, 1998)
KREBS, Katja (ed.), Translation and Adaptation in Theatre and Film (Routledge, 2014)
PETERMANN, Emily, The Musical Novel (Camden House, 2014)
PHILLPOT, Clive, Booktrek: Selected Essays on Artists' Books (1972-2010) (JRP/Ringier, 2013)
REILLY, Kara (ed.), Contemporary Approaches to Adaptation in Theatre (Palgrave Macmillan, 2018)
RYAN, Marie-Laure, Narrative Across Media: The Languages of Storytelling (Nebraska UP, 2004)
STAM, Robert, Literature through Film: Realism, Magic and the Art of Adaptation (Blackwell, 2005)
TANDERUP LINKIS, Sara, Memory, Intermediality, and Literature: 'Something to Hold on to' (Routledge, 2019)
Further Reading
GREENE, Liz, and Danijela KULEZIC-WILSON (eds), The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks (Palgrave
Macmillan, 2016)
HOESTEREY, Ingeborg, and Ulrich WEISSTEIN, Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century (Camden House, 1993)
WOLF, Werner, Selected Essays on Intermediality (Brill, 2018) |
Additional Information
| Graduate Attributes and Skills |
-creative problem solving and research
-critical and reflective thought
-effective and influential communication
-curiosity for learning that makes a positive difference |
| Keywords | Intermediality,image-text,literature,music,film,photography,painting |
Contacts
| Course organiser | Dr Fabien Arribert-Narce
Tel: (0131 6)50 8414
Email: f.arribert-narce@ed.ac.uk |
Course secretary | Ms Monique Brough
Tel: (0131 6)50 3618
Email: Monique.Brough@ed.ac.uk |
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