Postgraduate Course: Non Real-Time Systems (MUSI11019)
Course Outline
| School | Edinburgh College of Art |
College | College of Arts, Humanities and Social Sciences |
| Credit level (Normal year taken) | SCQF Level 11 (Postgraduate) |
Availability | Available to all students |
| SCQF Credits | 20 |
ECTS Credits | 10 |
| Summary | This course explores the use of algorithms in music and sound design. You will engage with digital formalisations of processes for sonic ends, engaging with practical and theoretical aspects. The course looks at algorithms as processes in musical composition, in the sonification of data, working with data from video games to generate sound and music, generative music at different scales and in different contexts, the practice of live coding performance, nonlinear composition, and approaches that foreground the algorithm in creative work. Your primary tool for these explorations will be the graphical programming environment MaxMSP. |
| Course description |
The ubiquity of algorithmic processes in our daily lives has started to come under greater focus, and algorithms are being explored across a range of dimensions, from ethical, political and philosophical considerations to algorithms as creative, entertaining and aesthetic. The relationships between artistic creativity and machine creativity are of particular significance for contemporary sound producers, sound explorers, and for those working at the border of creative sound and technology.
This course examines algorithms both in practical terms¿how algorithms are effectively implemented in musical and sound design projects, and how they might be in the future¿and in critical terms¿how algorithms change our relationships with sound and creative practices. You will explore past examples of algorithms and processes in musical composition, the sonification of data, working with data from video games to generate sound and music, the practice of live coding performance, macro-, meso-, and micro-level generative music, nonlinear composition, and approaches that foreground the algorithm in creative work. The primary tool for these explorations will be the graphical programming environment MaxMSP - a relevant program for rapidly exploring sonic processes.
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Entry Requirements (not applicable to Visiting Students)
| Pre-requisites |
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Co-requisites | |
| Prohibited Combinations | |
Other requirements | Experience in composition and/or programming/digital Music Technology systems. |
| Additional Costs | Blank CDs, tapes as required |
Information for Visiting Students
| Pre-requisites | Experience in composition and/or programming/digital Music Technology systems. |
| High Demand Course? |
Yes |
Course Delivery Information
| Not being delivered |
Learning Outcomes
On completion of this course, the student will be able to:
- Demonstrate an understanding and appreciation of the advantages of non real-time systems and when to use them instead of real-time environments.
- Develop an ability to contrast and compare computer music-making environments.
- Evidence a practical understanding of computer programming paradigms and their relation to and potential generation of compositional structure.
- Demonstrate an enriched compositional palette.
- Offer insight into the history, theory, repertoire, and aesthetics of computer music.
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Additional Information
| Graduate Attributes and Skills |
Not entered |
| Additional Class Delivery Information |
Tutorials are normally held in even semester weeks. |
| Keywords | Not entered |
Contacts
| Course organiser | Dr Tom Mudd
Tel: (0131 6)50 2808
Email: tmudd@exseed.ed.ac.uk |
Course secretary | Miss Laura Varga
Tel: (0131 6)50 2430
Email: laura.varga@ed.ac.uk |
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